It seems Kattan’s new fiancé is as family-focused as she is - he even runs an Instagram account together with his two siblings called siblings feature heavily in the carousel of images shared by Kattan, with snaps including both Sally and Ahmed El-Amin.
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However, the attempt to weave in socio-political themes is a tad heavy handed.Ī post shared by Mona Kattan baby, (you) deserve the world,” doctor and influencer Sarah Al-Madani commented, while Faryal Makhdoom, wife of British boxing star Amir Khan, wrote “congrats cutie.”Īccording to El-Amin’s LinkedIn account, he is the head of facultative at Middle East and Africa at Aon Reinsurance Solutions and relocated to Dubai after studying at Cass Business School in London and graduating with a Masters of Science. In this landscape that is ripe for drama, Amira’s relationships with her parents and a local boy with whom she is tentatively in love appear synonymous with Palestinian-Israeli tension. Co-produced by Film Clinic - which is led by the now-director of the Cairo Film Festival, Mohamed Hefzy - “Amira” has great social relevance and is a unique commentary on a Palestinian issue that has not been widely explored.
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Suppliedĭiab’s movie is blunt and matter-of-fact, especially when it tackles the issue of paternity, but it does not quite get to the core of this by failing to tell us what exactly constitutes being a father. “Amira” has great social relevance and is a unique commentary on a Palestinian issue that has not been widely explored. Diab’s no-holds barred filming presents the stark reality of how women continue to be looked down upon as inferior to men, and how purity is given more than its share of importance in society as Amira begins to feel that she is somehow culpable for the shameful status her family has found itself in. A happy, spirited girl, she aspires to be a photographer and we are told that the relationship between Amira, Nawar and his wife, Warda (Saba Mubarak), is mostly warm and genuine, although they have never lived together as a family.ĭiab takes us into the tricky labyrinth of human behavior and emotions when Amira loses her cool with her mother and the movie weaves itself into a tight spot when skeletons tumble out of the closet, leading to despair and disillusionment. She is led to believe she was conceived via less than usual means - a means that other films have yet to explore, which adds to the novelty factor of Diab’s feature. SuppliedĪmira (Tara Abboud) is a 17-year-old girl who believes she is the daughter of a Palestinian man, Nawar, held in an Israeli jail. “Amira” has twists and turns that will keep the audience glued to the screen.
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Para la mujer que amo, mi S.CHENNAI: Egyptian director Mohamed Diab, who gave us gripping works like “Cairo 678” and “Clash,” gets intimate with his latest outing, “Amira,” which was screened at this year’s Venice Film Festival, the El Gouna Film Festival and the MedFilm Festival in Rome, where it scooped up multiple prizes this week.Ī portrait of a father-daughter relationship in which the young girl places her parent on a pedestal and worships him as a hero, “Amira” has twists and turns that will keep the audience glued to the screen. Nice beat Comment by Jhon Gesell Villanueva Portella Video Features: Prachi Desai, Riteish Deshmukh & Sidharth Malhotra Lyrics / Music: Rabbi Ahmed, Adnan Dhool (SOCH Band) This new version is a duet, sung by Adnan Dhool and Momina Mustehsan while its video features Prachi Desai. Soch Band's song for Nescafé Basement which released in 2012 is now part of Mohit Suri's film.
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